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A Bar at the Folies-Bergère

Édouard Manet's A Bar at the Folies-Bergère, dated 1882, belongs to the Courtauld Gallery in London. A barmaid faces you across a marble counter crowded with bottles and fruit, while the bustling music hall behind her appears only as a reflection in a large mirror.
Where to see it
A Bar at the Folies-Bergère is in the collection of the Courtauld Gallery in London. Paintings can be moved, lent or temporarily taken off view, so check the Courtauld Gallery's official website for current display status, opening hours and ticket information before you visit.
What to look for in person
The mirror and the misplaced reflection
Almost everything behind the barmaid is a reflection in a large gold-framed mirror that runs across the canvas. Take in the crowd, the balcony and the glittering lights seen in it, then look to the right, where the barmaid's reflected back appears as she faces a man in a top hat. Her reflection does not seem to line up with the figure standing in front of you, and this apparent mismatch has been debated for well over a century. In 2000 the art historian Malcolm Park staged a reconstruction indicating that the view is physically possible.
A still life on the counter
Step closer to the marble counter, which works as a still life in its own right. Bottles of champagne, wine and peppermint liqueur stand alongside Bass Pale Ale, recognisable from its red triangle label. A dish of oranges sits in the foreground, glowing against the cool marble. Then check the label of the bottle at the far left of the counter: Manet placed his signature and the date 1882 there, so the place where he claimed the picture is disguised as part of the merchandise on sale.
The barmaid and the trapeze artist
The barmaid stands at the centre, facing you directly with her hands resting on the counter. Her expression is hard to read and often strikes viewers as distant, set against the lively crowd in the mirror. The model was Suzon, who worked at the Folies-Bergère in the early 1880s. Although Manet sketched at the venue, he made the painting in his studio, where she posed. Before you move on, look at the top left corner: a pair of green-shod feet dangling into view belongs to a trapeze artist performing above the audience.
About the painting
Manet painted A Bar at the Folies-Bergère in oil on canvas, and the work is dated 1882, the year before his death, making it one of the last major paintings of his career. It was exhibited at the Paris Salon that same year. The subject is the Folies-Bergère, a Paris music hall where audiences could buy drinks at the bars while acrobats and other acts performed. Manet made sketches on site, but he built the final composition in his studio, where Suzon, a barmaid from the venue, posed behind a counter laden with bottles and fruit. The painting brings together several of Manet's lasting concerns: modern urban entertainment, the meeting of commerce and leisure, and a frank, frontal treatment of the figure. Much of the picture's fascination lies in the mirror. The crowd, lights and the man in the top hat exist only as reflections, and the relationship between the barmaid and her mirrored image has prompted many readings of the scene. Some viewers see a comment on the isolation of a worker amid public pleasure; others focus on the way the painting unsettles the viewer's own position in front of the bar. Practical studies, such as Malcolm Park's reconstruction in 2000, have shown that the arrangement can be achieved physically. The first owner of the painting was the composer Emmanuel Chabrier, a friend of Manet, who hung it above his piano. Today the canvas, measuring 96 by 130 cm, is part of the collection of the Courtauld Gallery in London.
Key facts
| Artist | Édouard Manet |
|---|---|
| Date | 1882 |
| Size | 96 × 130 cm |
| Medium | oil paint, canvas |
| Collection | Courtauld Gallery |
How to visit: Courtauld Gallery
London, United Kingdom · Museum guide
| Opening hours | Mon–Sun 10:00–18:00 Fri 4 Dec 2026, Fri 8 Jan 2027 10:00–20:00 (late opening for Salman Toor; last entry 19:15) 24 Dec 2026, 31 Dec 2026 10:00–15:00 (last entry 14:00) 1 Jan 2027 12:00–18:00 (last entry 17:15) |
|---|---|
| Closed | Closed 25 and 26 December 2026. |
| Last entry | 17:15 (45 minutes before closing) |
| Admission | Adult 19+ (permanent collection) GBP 16 or GBP 14 18 and under, students, Universal/Pension Credit, Art Fund, ICOM, teachers, Museums Association, disabled companions (permanent collection) free Adult 19+ with donation (Salman Toor + collection) GBP 18 Adult 19+ (Salman Toor + collection) GBP 16 Student / Universal or Pension Credit (Salman Toor + collection) GBP 7 Teacher (Salman Toor + collection) GBP 8.5 Museums Association (Salman Toor + collection) GBP 8 |
| Free entry | Free for those aged 18 and under, Courtauld Members and Patrons. The permanent collection is also free for students, Universal/Pension Credit recipients, Art Fund, ICOM (except the first and last two weeks of special exhibitions), teachers, Museums Association members and disabled companions. |
| Booking | Entry is timed and booking in advance is recommended. |
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Hours and prices can change. Please check the official website before you go. (Checked on: 2026-11-09)
More by Édouard Manet
Luncheon on the Grass — Musée d'Orsay
Portrait of Stéphane Mallarmé — Musée d'Orsay
A Bundle of Asparagus
Music in the Tuileries — National Gallery
Emile Zola — Musée d'Orsay
The Fif — Musée d'Orsay
Argenteuil
Berthe Morisot with a Bouquet of Violets — Musée d'Orsay
Nana
Olympia — Musée d'Orsay
The Balcony — Musée d'Orsay
Sources
- Wikidata Q1245354
- Wikipedia (en) (CC BY-SA 4.0)
- Wikipedia (ja) (CC BY-SA 4.0)
- Wikipedia (it) (CC BY-SA 4.0)
- Museum website (courtauld.ac.uk)
- courtauld.ac.uk
- virtualtour.courtauld.ac.uk